GARY COX: “THE ANTIQUE ANSWER MAN”
                             by Carole Berry, for the Folsom Historical Society’s
                                         Evaluation Day Committee July, 2007

Gary Cox, known to many in the greater Sacramento area as “The Antique Answer Man,”
began his interesting journey from collector to appraiser thirty years ago while living in the
Midwest.  Shopping primarily at old farm auctions, Gary was able to support his habit as a
collector by wholesaling to dealers as a “picker.”  The rural Midwest of twenty to thirty
years ago was abundant with five to six monthly farm auctions where a box lot of
Depression glass went for $10.00. He laments, “I wish I’d held onto it!”   Still considering
collecting and picking  an avocational interest, he continued his “real” job in nuclear
power plant supervision and construction. Twenty years ago after relocating to California
to work on the now defunct Rancho Seco project, he finally made the break to devote his
full energy to antiques. Over the years, he has found that staying active in retail antiques  
has helped him as an appraiser to maintain a pulse on the antiques’ market.

One of Mr. Cox’  best buys took place early in his career at a farm auction in 1976.  He
discovered a hay rack wagon (a big flat wagon; eight to ten feet long by eight feet wide)
pilled three feet high with vintage clothing. For  $700.00 he purchased all of the clothing,
which included five exquisite twenties and thirties beaded flapper dresses, hundreds of
elegant thirties cocktail dresses and Victorian clothing. He  wholesaled most of it to a shop
in Chicago for ten to fifteen dollars a piece. Many pieces would carry a current value of
five hundred dollars each.   After purchasing the lot, Mr. Cox was astounded to learn from
the auctioneer that, just prior to the auction, he had discovered the owner getting ready to
set fire to the whole pile of clothing, assuming it was junk!  

Living in the Midwest, Mr. Cox was able to learn what to look for from old time antiques
dealers, many of whom had been in business since the 1930's, as well as  authors and
historians.He soon became a real “history buff,” a passion that continues to aid  in his
contemporary research as an antiques’ appraiser. Thirty years ago, Mr. Cox developed a
meaningful dialogue with top glass researcher William Heacock. Mr.  Heacock was known
for his primary research at old glass factory sites, where he would dig up shards and
compare them to contemporary pieces of glass. Collectors would contact Mr. Heacock
when they found unique pieces that could prove helpful in unraveling the mysteries of
American pattern glass.

When asked how computers have affected his current research, Mr. Cox responded that
he doesn’t buy as many books these days, relying upon computer research to upgrade
values of antiques listed in his 1970's and 1980's reference materials.  He finds computer-
based research helps collectors and dealers keep up with current auction prices,
especially in the art world where trends are important.  Some historical research may be
accomplished faster and more efficiently with the aid of computers. Researching a person’
s name, family, history and achievements, such as in the case of a civil war figure, used to
involve a lengthy process of sending for government war records.  

When asked what advise he offers on what to collect, Mr. Cox says, “Collect something you
love, you’re going to have to live with it for ten or twenty years anyway in hopes it will
multiply. [If you  are]  buying for investment, [you are] usually going to do it wrong. Buy
quality not quantity.”  Although we typically assume that when an item becomes rare, it will
go up in value, Mr. Cox relayed an interesting yet contradictory example. Beginning in the
mid 1800's, “custard glass” [yellowish-white opaque glassware first made in 1886 at the La
Belle Glass Works, Bridgeport, Ohio]  was highly collectible, particularly in the Midwest.  
With  most pieces off the market and in collections, newer collectors did not develop an
interest in it, so prices went down. Mr. Cox:  “Today a lot of people don’t know what
custard glass is . . .  not a lot made it to the West coast.”   In contrast, he continues, “oak
furniture in the 1970's in the Midwest was very inexpensive, a big fancy 1890's oak buffet
was $100.00, today it would go for $2500.00 to $3000.00. Walnut and mahogany were seen
as premium grade, oak was catalog grade, cheap stuff.  The perception has changed,
[people] recognize it has a quality of its own.”   When asked what trends he sees today, Mr.
Cox noted that “inexpensive 1950's maple furniture is the last true quality furniture made
in America.  The color and style aren’t in right now. [It’s hard to predict] whether that style
will come back in.”  

In recent years, Gary Cox has worked extensively as an appraiser with local historical
societies, notably the Crocker History Museum and the Folsom Historical Society.  When
asked what “exciting” pieces collectors have brought in for appraisal, he shared the
following wonderful story about artist sketches passed down in a Sacramento family.  
Apparently the artist painted frescoes (reference: wikipedia.org/wiki/Fresco) in the Cystine
Chapel in the 1500's.  A full sized pattern was painted in color with holes so the paint would
go through to plaster walls.  These pieces were one-of-a-kind, very hard to research with
literally nothing to compare them to.  “Is it part of an existing piece of the Chapel?”  The
collector was directed on how to pursue further research.  

Another fascinating piece that was brought to Mr. Cox during Evaluation Day at the Folsom
History Museum was a sterling silver snuff box from 1861, heavily engraved with a
firefighting scene which included the Fire Chief, ladders, buildings on fire and the name of
the retiring Chief.  The value and collectability of the piece, Mr. Cox shared, were
significant: A snuff box, bearing the maker’s and owner’s name, a piece of fire memorabilia,
a New York City piece, all from the date when the Civil War started.  Apparently prior to the
war, New York City fire fighters made up a division of Zouave [reference: www.civilwar.si.
edu/soldiering_zuoave.html], wearing fancy clothes and performing elaborate drills.  Once
the war broke out, they enlisted as a unit.  Mr. Cox speculates the Chief may have retired
to go into the regime to fight, which would double or triple the value of the piece.  Further
research into the specifics of the regime and their battles could prove helpful in further
clarifying the historical significance and value of this rare piece of Americana.  Without
further research, Mr. Cox valued the piece at $1500.00 to $2000.00.  

With Evaluation Day at the Folsom History Museum coming up October 6, Mr. Cox offered
some practical advice for collectors seeking evaluation of larger pieces of furniture.  First,
take good photos.  Second, bring in a drawer. The construction of the drawer, along with
the photos, will provide helpful information on identifying the piece.  Is it put together with
machine-made or handmade dove tails?  Are the handles 1800's hand cast brass or
machine made?  Third, he continues with advice on checking the main piece of furniture,
“look everywhere, touch and feel, run your hand over the whole thing.  Is it hand planed or
rough cut? [Was a] circular or band saw [used]?  What type of wood is in the interior . . . all
[this] tells the date, country of origin, location within the United States, etc.  The more
details the better.”  


Gary Cox is well known throughout the Greater Sacramento Area as “The Antique Answer
Man”, offering both written and verbal appraisals.  A  regular on Public Television,  
renowned speaker to glass collectors, civil war buffs, antique societies and those just
learning, interested in how to tell a fake from the real thing.  For more information, contact
Mr. Cox at: 916-600-2775, by email at
gary@antiqueanswerman.com or  visit with him during
the September 21 Antique Peddlers' Fair in Folsom between 8am and 4pm or by attending
the Folsom History Museum’s October 4, 2008 Evaluation Day.
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